Actor Ben Affleck pushed back against AI fears in the film industry during a Friday appearance on "The Joe Rogan Experience," arguing AI won't replace human creativity.

This week, our host Lauren Goode, along with two of our senior writers, Kate Knibbs and Paresh Dave, dive into the show's inbox to answer listeners' questions. We look into a range of queries--from how AI is shaping the film industry to brainstorming how the Jony Ive and Open AI's collaboration could look like. Mentioned in this episode: This Viral AI Chatbot Will Lie and Say It's Human by Lauren Goode and Tom Simonite A Political Battle Is Brewing Over Data Centers by Molly Taft You can always listen to this week's podcast through the audio player on this page, but if you want to subscribe for free to get every episode, here's how: If you're on an iPhone or iPad, open the app called Podcasts, or just tap this link. Note: This is an automated transcript, which may contain errors. Lauren Goode: This is WIRED's Uncanny Valley, a show about the people power and influence of Silicon Valley.

Corey Feldman discusses his movie "The Birthday," which wrapped in 2004. "The Goonies" star Corey Feldman is concerned that the rise of artificial intelligence could ruin the "magic" of Hollywood filmmaking. In a new interview with Fox News Digital, the entertainer talked about his decades of being part of the film industry and what he thinks of it today compared to how it was when he was starring in beloved 80s classics like "Goonies," "The Lost Boys" and "The Burbs." When asked if he believes modern Hollywood can still conjure up the same "magic" that led to the creation of these iconic films, he said he wasn't so sure. "Well, I share the opinion that there is a lot of the magic that's been lost because of A.I., because of CGI, because of, you know, these things kind of taking over from the good stories, the great characters that we draw, the great writing," Feldman said.

The pursuit of realism in cinema has driven significant advancements in animatronics, where the integration of mechatronics, a multidisciplinary field that combines mechanical engineering, electronics, and computer science, plays a pivotal role in enhancing the functionality and realism of animatronics. This interdisciplinary approach facilitates smoother characters movements and enhances the sophistication of behaviors in animatronic creatures, thereby increasing their realism. This article examines the most recent developments in mechatronic technology and their significant impact on the art and engineering of animatronics in the filmmaking. It explores the sophisticated integration of system components and analyzes how these enhancements foster complexity and integration, crucial for achieving unprecedented levels of realism in modern cinema. Further, the article delves into in-depth case studies of well-known movie characters, demonstrating the practical applicability of these state-of-the-art mechatronic solutions in creating compelling, lifelike cinematic experiences. This paper aims to bridge the gap between the technical aspects of mechatronics and the creative demands of the film industry, ultimately contributing to the ongoing evolution of cinematic realism.

The past is a big deal in the video games industry right now. Hardly a month goes by when we're not being tempted by a new retro mini console, whether that's a cutesy Nintendo or a demure ZX Spectrum (a new version of which is arriving in November, complete with rubbery keys and 48 legendary games). And this year's release schedule is absolutely crammed with remasters of classic titles. In April, the video game news site Kotaku listed 30 old timers being exhumed and revived for 2024, including The Last of Us Part II, Tomb Raider 1-3 and Star Wars: Dark Forces. And the article missed a few! October alone will see updated versions of horror adventures Until Dawn, Silent Hill 2 and Clock Tower, as well as Lego Harry Potter.

Tyler Perry has paused an 800m ( 630m) expansion of his Atlanta studio complex after the release of OpenAI's video generator Sora and warned that "a lot of jobs" in the film industry will be lost to artificial intelligence. The US film and TV mogul said he was in the process of adding 12 sound stages to his studio but has halted those plans indefinitely after he saw demonstrations of Sora and its "shocking" capabilities. "All of that is currently and indefinitely on hold because of Sora and what I'm seeing," Perry said in an interview with the Hollywood Reporter. "I had gotten word over the last year or so that this was coming, but I had no idea until I saw recently the demonstrations of what it's able to do. The AI tool was launched on 15 February – with limited access to a few researchers and video creators – and caused widespread astonishment with its ability to produce realistic footage a minute long from simple text prompts. Perry, whose successes include the Madea film series, said Sora's achievements meant he would no longer have to travel to locations or build a set: "I can sit in an office and do this with a computer, which is shocking to me." Demonstrations released by OpenAI, the developer of the groundbreaking ChatGPT chatbot, show photorealistic scenes in response to prompts such as asking for a shot of people walking through "beautiful, snowy Tokyo city" where "gorgeous sakura petals are flying through the wind along with snowflakes". Sora can create videos of up to 60 seconds featuring highly detailed scenes, complex camera motion, and multiple characters with vibrant emotions. Perry said the breakthroughs presented by Sora would affect a range of jobs throughout the film industry, including those of actors, editors, sound specialists and transportation crew. He said: "I am very, very concerned that in the near future, a lot of jobs are going to be lost.

AI expert Marva Bailer explains how, even though there are currently laws in place, the average person has more access than ever to create deepfakes of celebrities. Ridley Scott, director of sci-fi classics like "Alien" and "Blade Runner," is terrified about AI technology running away with society. In an interview with Rolling Stone promoting his film "Napoleon," Scott was asked if artificial intelligence worried him, and the answer was an emphatic yes. "We have to lock down AI. And I don't know how you're gonna lock it down," he told the outlet.

What will AI (artificial intelligence) do to Hollywood? Who better to answer that question than ChatGPT, a thrilling but scary chatbot developed by OpenAI. When the Guardian asked it about AI's potential impact on the film industry, it made the following points: Scriptwriting: AI can be used to analyze existing screenplays and create new ones, potentially leading to more efficient and cost-effective screenwriting. Pre-production: AI can be used to streamline the pre-production process, including casting, location scouting and storyboarding. Special effects: AI can be used to create more realistic and immersive special effects, potentially reducing the need for practical effects and saving time and money in post-production.

Artificial intelligence in filmmaking might sound futuristic, but we have reached this place. Technology is already making a significant impact on film production. Today, most of the outperforming movies that come under the visual effects category are using machine learning and AI for filmmaking. Significant pictures like'The Irishman' and'Avengers: Endgame' are no different. It won't be a wonder if the next movie you watch is written by AI, performed by robots, and animated and rendered by a deep learning algorithm.

Recently the Manufacturing Media Consortium and its founder, TR Cutler (TRC) set up a new division examining the role of manufacturing and technology in the entertainment industry. What follows is an interview of Jacob Kyle Young (JKY) actor and founder of Post Modern Entertainment. In an interview with Jacob Kyle Young (JKY), actor and founder of Post Modern Entertainment, TR Cutler describes how virtual reality, machine learning, and other industrial automation is being applied in the entertainment industry. Virtual reality (VR) is projected to be the rapidly growing segment in the media and entertainment space, according to Global Entertainment, which reported that 68 million VR headsets would be sold in the USA before the end of 2021, raising VR content revenue to $ 5.0 billion. During COVID, it became evident that using AI can help create VR interactive content. Using AI techniques, the entertainment industry creates remarkable scenes with a pair of goggles.